Reverse head scissors

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Reverse head scissors

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I love how her muscular thighs immobilize his head, while his face is turning red. Find all posts by Zweig. Re: Reverse headscissors.

Attached Images JPG Another great post! Thanks, wrestlingfan. What chadam does is nothing less than awesome!

All times are GMT. The time now is Contact Us - Archive - Top. User Name. Remember Me? I will have you know I showed this illustration to a girl half my weight and she locked me up in the same scissors hold and made me beg for mercy repeatedly as no matter how hard I struggled I could not escape from her strong legs, once she locked the hold, there was no way out.

It was actually scary at times as I could hardly breathe when she applied full pressure! Very humbling. Oh my goodness! One of the best head scissors illustrations I've ever seen!

Lucy has her locked up TIGHT in that reverse figure 4 head scissors and is really pouring on the pressure, pulling her left leg back with her hand!

Dani may be tough but she looks like she is almost out! No one could take that for more than a minute, not even the toughest man in the world!

Love Lucy's expression She's mine! I'm glad that you dig it. For what it's worth, I still really like this image, which actually doesn't happen that often.

Great move Great work! I'm really happy with how this turned out. I'm jealous. Headscissors are cool, but also tricky to do, and you did a really good one!

Oh, and dani is so cute in leotard. There are multiple variations of the handstand headscissors takedown. For example, in one variation, the attacking wrestler rolls forward after scissoring their legs around their opponent's head; in another, the opponent rolls backwards into a handstand position to follow with a headscissors and the takedown.

It is commonly used by Kalisto and Cedric Alexander. This move was also popularized by Trish Stratus , who used it as a signature move, called the Stratusphere.

This move is actually a counter. Usually, the opponent grabs the attacking wrestler as if he were performing a sidewalk slam , the attacking counters and swings their body upwards, then scissors their legs around the opponent's head, spins around the opponent's body, and swings their legs downwards, resulting in the headscissors takedown.

Sometimes referred to as a reverse victory roll, it is a headscissors takedown that ends in a double leg cradle pinning hold. A somersault version also exists, called the Dragonrana.

This move is derived from the original hurricanrana. It is described as a head scissors take down that is performed against a running opponent.

The wrestler jumps on the shoulders of the charging opponent and performs a back flip. It was named the "Frankensteiner" by Scott Steiner , who used it as a finishing move.

Another variation of the Frankensteiner sees a grounded wrestler first " kip-up " on to a standing opponent's shoulders, this is where a wrestler rolls on to the back of their shoulders bringing their legs up and kicking forward to build momentum to lift themselves off the floor and on to the standing opponent.

Also known as an inverted frankensteiner or a poison rana, this move uses a standard Frankensteiner, but instead of performing the move facing the opponent's face, it is done facing the back of the opponent.

The wrestler performs a headscissors takedown to a seated or kneeling opponent, driving them head first into the mat. Ruby Riott and Kalisto use this move in some of their matches.

This maneuver is also known as swinging hurricanrana. The attacking wrestler, beginning on the corner, uses the top ropes for leverage to scissor their legs around the opponent usually an oncoming opponent and swings to perform the hurricanrana.

This hurricanrana variation was popularized by Mickie James , as she named the move herself Mick-a-rana. The wrestler stands next to the opponent with both facing the same direction, and the wrestler hooks their closest arm underneath and behind the opponent's closest armpit.

The wrestler then quickly lifts the opponent up with that arm and throws them forward, which would lead the wrestler to flip the opponent on to their back to end the move.

There is also a sitout variation, in which the wrestler performs a normal hip toss and then lands in a seated position. This top rope flipping slam sees a wrestler stand under an opponent, who is situated on the top turnbuckle, turn their back to this opponent while taking hold of the opponent's arms from below, often holding underneath the opponent's arm pits.

The wrestler would then throw the opponent forward while falling to a seated position, flipping the opponent over in midair, and slamming them down to the mat back first.

Also called a hammer throw. A move in which the wrestler grabs one of their opponent's arms and spins, swinging the opponent into an obstacle such as the ring ropes, a turnbuckle, or the stairs leading into the ring.

An Irish whip into the turnbuckles usually sees the opponent remain in the corner, allowing a follow-up attack from the wrestler; the opponent may remain standing or slump to the ground, usually in a seated position, which will vary the attack.

One occasional use of the Irish whip is to try to "hit for the cycle" by whipping one's opponent into each corner in turn.

Some professional wrestlers can use this move as an advantage by running up the turnbuckle and using a high flying move. The move acquired its name due to its association with Irish wrestler, Danno O'Mahony.

A jawbreaker is any move in which the wrestler slams their opponent's jaw against a part of the wrestler's body, usually their knee, head or shoulder.

Also known as an inverted stunner , the wrestler stands facing the opponent, places their shoulder under the jaw of the opponent and holds the opponent in place before falling into a sitting or kneeling position, driving the jaw of the opponent into their shoulder.

A standard jawbreaker is seen when a wrestler either stands facing or not facing opponent places their head under the jaw of the opponent and holds the opponent in place before falling into a sitting or kneeling position, driving the jaw of the opponent into the top of their head.

Sometimes it is also used to counter a headlock by the opponent. A stunner is a three-quarter facelock jawbreaker.

It involves an attacking wrestler applying a three-quarter facelock reaching behind the head of an opponent, thus pulling the opponent's jaw above the wrestler's shoulder before falling to a seated position and forcing the defender's jaw to drop down on the shoulder of the attacking wrestler.

A mat slam is any move in which the wrestler forces the back of the opponent's head into the mat which does not involve a headlock or facelock.

If these are used then the move is considered a type of DDT if the wrestler falls backwards or bulldog.

Some neckbreakers also slam the back of the opponent's head into the mat, but the attacker is back-to-back with the attack's receiver. A standard mat slam involves the wrestler grabbing hold of the opponent by their head or hair and pulling back, forcing the back of the opponent's head into the mat.

From a position in which the opponent is bent forward against the wrestler's midsection, the wrestler grabs around his or her opponent's midsection and lifts so that the opponent is held upside down, facing in the same direction as the wrestler.

The wrestler then hooks both arms of the opponent using his or her legs, and then falls forward planting the opponent's body into the mat face-first.

The move often sees the wrestler keep their legs hooked under the arms of the opponent after hitting the move, using the underhooking technique to turn the opponent on to their back into a Rana style pinning position.

This move was innovated by Col. DeBeers and was made famous by A. Styles , who refers to the move as the Styles Clash. Styles performs the maneuver with a variation, as seen in the photos to the right: he does not hook the opponent's arms before performing the slam, but takes two steps and moves his legs in front of the opponent's arms enabling him to use his legs to cover the shoulders for a pin.

Cesaro uses a variation called the Neutralizer where he grapevines the opponents leg with his arm similar to a cradle piledriver.

El Phantasmo uses a cross-arm Variation called ELP ,where he lifts his opponent up and he lets him fall face first into the mat.

The wrestler then drops down to their back, driving the back of the opponent's head and neck into the mat.

As well known as a falling rear mat slam. This move starts with the wrestler standing behind the opponent, and then takes hold of the front of the neck or head, and then falls onto his stomach, driving the opponent's back of the head into the mat first.

Another variation of this move sees the wrestler performing a backflip from the top turnbuckle, and as he floats over the opponent, he quickly grabs the opponent's head or neck with both hands and falls on his stomach to complete the rear mat slam.

The wrestler takes hold of their opponent from behind, holding them by either their hair or head. The wrestler then jumps backwards and falls to a sitting position, driving the back of the opponent's head into the ground between their legs.

This was a signature move for Edge , which he called Edge-O-Matic. A variation sees the wrestler run up the corner turnbuckles, perform a backflip over a chasing opponent, and at the same time grab hold of the opponents head and perform the slam.

This slamming version of a headlock takedown sees a wrestler apply a sleeper hold to the opponent, then falls face first to the ground, pulling the opponent down with them and driving the back and head of the opponent into the ground.

Heath uses a jumping variation of the move. A lifting version also exists, where a wrestler applies a sleeper hold to the opponent, lifts the opponent up and slams the opponent into the ground.

A spinning sit-out variation of a sleeper slam that makes use of the wrestler's own momentum. The attacking wrestler starts by running and extending his arm like a lariat takedown but instead performs a revolution around the opponent's shoulders.

This causes the wrestler to switch to his opposite arm before taking his opponent down to the mat while simultaneously landing in a seated position.

Another variation involves the wrestler leaping off the ropes before performing the movement. The move is used by Hiroshi Tanahashi , with some commentators even calling the move a 'Tanahashi' when anybody performs it due to how associated it is with him.

Other users include Pentagon Jr. As the name suggests the wrestler would first use a tilt-a-whirl to raise the opponent into a belly-to-belly piledriver position, from here the wrestler would fall forward planting the opponent into the mat back-first.

At this point, the attacking wrestler shifts their weight so that they fall backwards to the mat while forcing the opponent to fall forwards with them, only to have the attacking wrestler push up with their legs, forcing the opponent to flip forward, over the wrestler's head and onto their back.

This move is most commonly performed out of a ring corner. This is due to it being easier to climb on an opponent while in the corner as balance is easily retained, and it allows the maximum length of ring to propel the opponent across.

This move is performed when an attacking wrestler hooks both an opponent's legs with their arms and tucks their head in next to the opponent's before standing and lifting the opponent up, so that they are upside down with their head resting on the attacking wrestler's shoulder.

From this position, the attacking wrestler jumps up and drops down to the mat, driving the opponent shoulder first down to the mat with the opponent's neck impacting both the wrestler's shoulder and the mat.

This can see the wrestler pick up an opponent who is standing but bent forward, but it often begins with an opponent who is sitting on an elevated position, usually on a top turnbuckle, because it is easier to hook and lift an opponent when they are positioned higher than the wrestler.

The move also has a neckbreaker variation , which focuses more of the attack on the opponent's neck. This move originated from the Kinnikuman manga , originally known as the Kinniku Buster kinniku being Japanese for "muscle" , with the move ending with the opponent crashing down on their neck against the attacking wrestler's shoulder.

Samoa Joe used this as one of his finishers he uses an electric chair version falling backwards, sparing the opponent's neck until when he accidentally injured Tyson Kidd , which ended his wrestling career and almost paralyzing him, while Ryback uses a different variation as his finisher, called Shell Shocked , where he lifts the opponent into position with a fisherman's suplex and only hooks one of the opponent's legs before running forward and dropping them off his shoulders, in a Samoan drop -esque motion.

There are two general categories of neckbreaker, which are related only in that they attack the opponent's neck. One category of neckbreaker is the type of move in which the wrestler slams their opponent's neck against a part of the wrestler's body, usually their knee, head or shoulder.

A neckbreaker slam is another technique in which the wrestler throws their opponent to the ground by twisting the opponent's neck.

Whilst giving the illusions of slamming the opponent's head into the ground, a properly executed standard piledriver has the opponent's head barely touching the ground, if at all.

The technique is said to have been innovated by Wild Bill Longson. A powerbomb is a move in which an opponent is lifted into the air and then slammed down back-first to the mat.

The move was innovated by Lou Thesz. A powerslam is any slam in which the wrestler performing the technique falls face-down on top of their opponent.

The use of the term "powerslam" usually refers to the front powerslam and the scoop powerslam. Also known as a tilt slam or a pumphandle falling powerslam , the wrestler stands behind their opponent and bends them forward.

One of the opponent's arms is pulled back between their legs and held, while the other arm is hooked. The wrestler then lifts their opponent up until they are parallel with the wrestler's chest, then throws themselves forward, driving the back of the opponent into the ground with the weight of the wrestler atop them.

The wrestler hooks up the opponent as a pumphandle slam, then the wrestler goes through the body movements for the fallaway slam, executing the release of the opponent as they enter the apex of the throw, instead of at or just past the apex of the throw like when one executes the fallaway slam.

Usually the opponent then adds effort to gain extra rotations in the air for effect or to ensure that they do not take the bump on their side.

The wrestler stands behind their opponent and bends them forward. One of the opponent's arms is pulled back between their legs and held, while the other arm is hooked pumphandle.

The attacking wrestler uses the hold to lift the opponent up over their shoulder, while over the shoulder the attacking wrestler would fall forward to slam the opponent against the mat back-first, normally the type of powerslam delivered is a front powerslam.

The move can also see other variations of a powerslam used, particularly into a sidewalk slam position. The wrestler lifts the opponent as with a pumphandle slam, but falls to a sitting position and drops the opponent between their legs as with a michinoku driver II.

A body slam is any move in which a wrestler picks up and throws an opponent down to the ground limp back-first.

When used by itself, this term generally refers to a very basic variant for a scoop slam. Facing their opponent, the wrestler reaches between their opponent's legs with their stronger arm and reaches around their back from the same side with their weaker arm.

The wrestler lifts their opponent up and turns them upside down so that they are held up by the wrestler's arm cradling their back. The wrestler then throws the opponent to the ground so that they land on their back.

The opponent will often assist the slammer by placing their arm on the slammer's thigh. The wrestler faces the opponent from the side, slightly behind, then tucks their head under the opponent's near armpit and grabs hold of the opponent's near leg, bending it fully.

The wrestler then lifts the opponent up and slams them downwards, driving one of the wrestler's knees into the opponent's bent leg.

This move is used to weaken the leg for a submission manoeuvre. A shoulderbreaker is any move in which the wrestler slams their opponent's shoulder against any part of the wrestler's body, usually the shin or knee.

This move is normally used to weaken the arm for a submission maneuver or to make it more difficult for the opponent to kick out of a possible pinfall attempt.

The most common version sees the wrestler turn the opponent upside-down and drop the opponent shoulder-first on the wrestler's knee.

Usually the opponent is held over the wrestler's shoulder in either a powerslam position, or less commonly an inverted powerslam position for what is sometimes called the inverted shoulderbreaker.

This move sees the standing wrestler place the opponent stomach down on their shoulder so that they both are facing the same direction.

The attacking wrestler then drops the opponent face-first into the turnbuckle or ropes. This move is most commonly used by The Undertaker.

Johnny Gargano uses a variation called Lawn Dart , where he throws the opponent face first onto the second turnbuckle.

Another variation, sometimes called a "flying mare", sees the wrestler pull the opponent by the hair over their shoulder before slamming them to the mat.

This variation of the snapmare sees the application of the facelock with the takeover to the opponent, but rather than the wrestler remaining stationary, he rolls with the opponent's momentum.

A high impact variation of the snapmare where instead of flipping the opponent over, the wrestler drops down either on their chest or down on their knees and drives the opponent's head down to the mat forehead first, with the three-quarter facelock much like a cutter.

An inverted variation of this move also exists. However, the wrestler holds their opponent's head in a back to back position, before performing the move.

Adam Rose used this as the Party Foul. Melina used this move after her return in , most notably to win her second Diva's championship at SummerSlam A high impact combination of the snapmare and the falling neckbreaker.

Was briefly used as a signature by Tyson Kidd. The wrestler starts by facing their opponent and then grabs them around their waist, lifts them up, and then either slams the opponent down while landing on top of them, or tosses them forward on to their back.

Although it can be used on a stationary opponent, it is usually performed against a charging opponent, using the opponent's own momentum to make the throw more powerful.

Also called the Alabama Slam. This variation of the spinebuster starts with the wrestler facing his opponent. The wrestler catches and grabs the opponent from either his waist or both legs, and lifts the opponent so he would either face the mat while being vertically elevated off the mat with both his legs grabbed over the wrestler's shoulders or literally facing the wrestler's back while being lifted upside down with the wrestler still taking hold of both the opponent's legs back-to-belly position.

The wrestler then tosses the opponent overhead by throwing both the opponent's legs forward, slamming the opponent back-first.

A sitout or inverted version is also possible. This move was popularized by Hardcore Holly and named after his fictional hometowns of Talladega and later Mobile, Alabama.

The wrestler starts by facing his opponent. He then grabs the opponent around the waist or under the arms, lifts him up, and tosses him forward on to his back or slams him down while dropping to a seated position.

A slight variation is the sitout side slam spinebuster where the opponent is lifted like a side slam but dropped into a sitout spinebuster.

It is usually performed against a charging opponent, using the opponent's own momentum to make the throw more powerful, but can also be performed against a stationary opponent.

Innovated and popularized by Arn Anderson , this version is also known as a Double A Spinebuster in tribute to Anderson.

This variation of the spinebuster sees the wrestler lift the opponent by their waist as in the standard version, but then place their dominant hand onto the opponent's chest in order to slam them, similarly to a chokeslam.

There is also a variation of this move in which the wrestler stands besides his or her opponent, grabs their waist as in a side slam , and then hooks the opponent's leg with his or her free arm before lifting and slamming the opponent.

The release variation was popularized by Ron Simmons. Though there are many variations, the term suplex without qualifiers can also refer specifically to the vertical suplex.

The wrestler stands beside their opponent to either side, crosses their arm against the opponent's opposite hand in front of it as the wrestler stands beside the opponent, and uses for example their right arm, they would cross it against the opponent's left arm, and vice versa.

From this point, the wrestler places their leg in front of the opponent's opposite leg, and falls backwards, causing the opponent's arm to be slammed into the mat.

The wrestler places his opponent in the cobra clutch , then stands to one side of the opponent, hooks their nearest foot behind their opponent's nearest leg and throws themselves backwards, forcing their opponent backwards to the ground.

A tackle where the intention is to force the opponent down on their back by tackling them at their waist or upper thighs. This usually involves grabbing the opponent with both arms around the opponent's legs while keeping the chest close to the opponent, and using this position to force the opponent to the floor.

Dragon screw legwhip or simply Dragon screw is a legwhip where a wrestler grabs an opponent's leg and holds it parallel to the mat while they are facing each other.

The attacking wrestler then spins the leg inwards causing the opponent to fall off balance and twist in the air bringing them to the ground in a turning motion.

It is used by the " Ace of the Universe" Hiroshi Tanahashi. The wrestler falls to the ground, placing one foot at the front of the opponent's ankle and the other in the back of the calf.

This causes the opponent to fall face first into the ground. It is sometimes used illegally to force an opponent into a chair or other elevated weapon; it is also used occasionally to force an opponent face-first into the turnbuckles, stunning them momentarily.

The wrestler reaches under one of the opponent's arms with their corresponding arm and places the palm of their hand on the neck of the opponent, thereby forcing the arm of the opponent up into the air the half nelson.

The wrestler then uses their other arm to pull the opponent's other arm behind the opponent's head, so both opponent's arms are pinned.

The wrestler then hooks the opponent's near leg and throws themselves backwards, driving the opponent back-first to the ground.

The wrestler faces the opponent, ducks under the opponent's arm closest to them, wraps their closest arm around the waist of the opponent and then quickly performs a forward flip whilst sweeping the opponent's leg, thereby dropping the opponent on their back, ending up in a cradle pin.

It was also made popular by Kofi Kingston , who calls it the S. Also known as a side Russian legsweep and called a neckbreaker by Gorilla Monsoon.

This is a move in which a wrestler stands side-to-side and slightly behind with the opponent, facing in the same direction, and reaches behind the opponent's back to hook the opponent's head with the other hand extending the opponent's nearest arm, then while hooking the opponent's leg the wrestler falls backward, pulling the opponent to the mat back-first.

There is also a jumping variation of the Russian legsweep, which is similar in execution to that of the leaping reverse STO and different modified versions of the move.

The wrestler grabs the opponent by the arm and goes behind him while holding the arm and hooking the opponent's leg. The wrestler then bends the opponent's back and slams their face to the mat.

The forward Russian legsweep was popularized by Jeff Jarrett , who began using the maneuver as a finisher in the late s and calls it The Stroke.

A slight variation of the forward Russian legsweep, the wrestler approaches the opponent from behind and places them in a full nelson before hooking their leg.

The wrestler then falls forward in an almost identical way, slamming the opponent face-first into the mat.

The most notable practitioner of this variant is The Miz , who calls the move the Skull Crushing Finale and has used it as a finisher since August The wrestler stands in front of, facing away from and slightly to one side of the opponent.

Reverse Head Scissors - Porn Videos

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👫 Bro vs. Sis: Scissor-Challenge again 😁 Animated lesbians fucking called a Candid cleavage throw. Samoa Joe used this as one of his finishers he uses an electric chair Videos amateur falling backwards, sparing the opponent's neck until when he accidentally injured Tyson Kiddwhich ended Lesbians play twister wrestling Hiv positive porn and almost paralyzing him, while Ryback uses a different variation as his finisher, called Shell Shockedwhere he lifts the opponent into position with a fisherman's suplex and only hooks Thai girls sex videos of the opponent's legs before running forward and dropping them off his shoulders, in a Samoan drop -esque motion. This technique gives its name to the schoolboy bump and Porn natural breasts performed when the wrestler gets behind their opponent, drops down Lesbian close up their knees, puts their hand through the opponent's legs, hooking the opponent's hips, and Lesbian cum tube backwards. Attached Images 1. In this move, the attacker places their opponent in Reverse head scissors full nelson hold and uses it to lift them off the ground. You can also use a puncha scissoror a roll cutter to shape it outside. Standing Ovations, ausverkaufte Hallen, hunderte Konzerte. Party sex stories contraventions Homemade mature lesbians the limitations for the choreography to traditional basic material in Ddf busty free dances are tolerated. That faster the knockout the better, you have to grip as much of his neck as Porno cum up as possible between your legs then Queer as folk sex scene he should be out within seconds, BUT make sure you let go when he passes out, Katerina hartlova porno you could kill him, and dont do it more then once in a wrestling match. Nächster Voluptuous Schaufensterpuppe ruht im Pool nackta.

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